Paul Barruel – Strix aluco
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Шары совиных глаз в ночи…
Не то сова плывёт, как шхуна
По воздуху, когда лучи
Луны звучат вполне бездумно.
Сильна охотница сова.
Лес понимает звуки также,
Как мы – привычные слова.
Мир, постигаемый едва
Во всяком имет суть пейзаже.
You cannot comment Why?
The bird is situated upon a thick branch that extends diagonally across the frame. The artist has employed subtle shading to indicate the three-dimensionality of the wood, creating a tactile quality. Smaller branches extend from the main one, adding visual complexity and reinforcing the natural setting. Behind the subject, a suggestion of foliage appears – dark greens and browns are loosely applied, providing a backdrop that doesn’t distract from the central figure but establishes context.
The color palette is restrained, primarily utilizing earth tones which contribute to an overall feeling of quiet observation. The limited range enhances the focus on the bird itself, emphasizing its form and texture. A decorative border frames the composition, adding a touch of formality and suggesting that this is intended as a scientific or illustrative work rather than a purely artistic expression.
Subtly, the artwork conveys themes of stillness and vigilance. The bird’s posture suggests alertness, while its direct gaze establishes a connection with the observer. Theres an implicit sense of the natural world being observed and documented – a quiet reverence for the subject’s inherent beauty and characteristics. The precision in rendering implies a desire to understand and record accurately, hinting at a scientific or educational purpose beyond mere aesthetic appeal.