Himalayas # 152 Glare of the pink light Roerich N.K. (Part 5)

The composition presents a layered vista of mountainous terrain, rendered in a palette dominated by cool blues and muted yellows. The artist has employed a technique that emphasizes atmospheric perspective; distant peaks recede into a hazy blue-grey, while the foreground exhibits a warmer, ochre tone. This creates a sense of depth and vastness, suggesting an expansive landscape stretching beyond the visible frame.
The mountains themselves are simplified in form, their sharp edges softened by the atmospheric haze. They appear less as individual geological formations and more as abstract shapes contributing to the overall visual rhythm. The layering effect is achieved through successive bands of color, each slightly lighter or darker than the last, creating a sense of gradual recession into space.
The lower portion of the painting features a dark band along the bottom edge, which serves to ground the composition and further accentuate the height of the mountains. A small area of reddish-brown is visible in the right foreground, providing a subtle contrast to the prevailing cool tones and drawing attention to the immediate viewing plane.
Subtly, theres an impression of stillness and quietude conveyed by the scene. The lack of any discernible human presence or animal life reinforces this sense of isolation and grandeur. The subdued color scheme contributes to a contemplative mood, inviting introspection rather than action. It is possible that the artist intended to evoke not just a visual representation of mountains but also a feeling of awe and reverence for nature’s scale and power. The glare mentioned in the title might refer to the diffused light reflecting off the snow-capped peaks, adding an element of ethereal beauty to the scene.