# 141 morning morning (Violet silence) Roerich N.K. (Part 5)

The composition presents a landscape dominated by intense color and simplified forms. Here we observe a body of water extending towards a range of mountains silhouetted against a vibrant sky. The palette is striking: deep violets and blues define the mountainous terrain and the waters surface, while a fiery red-pink suffuses the upper portion of the canvas, creating an atmosphere of heightened emotional intensity.
A prominent circular form, presumably the sun or moon, hangs centrally in the sky, radiating a warm, golden light that is reflected as a vertical streak on the water’s surface. This reflection serves to bisect the composition and draws the eye towards the horizon line. The landmass at the lower edge of the painting appears dark brown, providing a grounding element against the ethereal quality of the rest of the scene.
The artist has employed broad brushstrokes and flattened planes, eschewing detailed rendering in favor of conveying an overall mood or feeling. There is a deliberate lack of texture; surfaces appear smooth and uniform, contributing to the dreamlike quality of the work. The absence of any human presence reinforces the sense of solitude and vastness inherent in the landscape.
Subtly, the painting evokes a sense of quiet contemplation. The violet silence suggested by the title seems to resonate with the stillness of the scene; it is a moment suspended between darkness and light, hinting at an awakening or transition. The intense colors, while visually arresting, also suggest a depth of feeling – perhaps melancholy, longing, or a profound connection to nature. The simplified forms contribute to this sense of abstraction, allowing for multiple interpretations and encouraging viewers to project their own emotions onto the scene.