Roerich N.K. – Himalayas #64
1939. Tempera on canvas. 46,8 x 79 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The use of color is particularly striking. Deep indigo and cobalt hues define the lower peaks, creating a sense of depth and solidity. These blues gradually lighten as they ascend, culminating in the brilliant white of the highest points, suggesting an ethereal quality and emphasizing their remoteness. The sky itself appears to be a muted blue-grey, contributing to the overall cool and contemplative atmosphere.
Brushstrokes are visible, though generally applied with a degree of control that avoids overt textural emphasis. This technique lends the scene a certain formality and reinforces the impression of a carefully constructed vision rather than an immediate observation. The absence of any human presence or signs of civilization further underscores the paintings focus on the sublime power and immensity of nature.
Subtly, there is a sense of spiritual aspiration conveyed through the upward thrust of the mountains and the luminous quality of their peaks. The composition seems to invite contemplation on themes of transcendence and the relationship between humanity and the natural world. The starkness of the palette and the simplified forms contribute to an atmosphere that is both awe-inspiring and somewhat melancholic, evoking a feeling of solitude within a vast and timeless landscape.