Jacob Adriaenszoon Backer – Singing shepherdess
1630-е. 71×52
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Here we see a woman with dark hair, partially adorned with a wreath of leaves and flowers, suggesting an association with nature or pastoral themes. Her gaze is directed upwards and slightly to the left, conveying a sense of absorption in the music she performs. The mouth is open in song, and the eyes possess a focused intensity that suggests deep emotion.
The clothing contributes significantly to the overall impression. A white blouse peeks from beneath a richly patterned shawl or cloak, rendered in warm tones of red, orange, and brown. This fabric appears loosely draped around her shoulders, creating folds and shadows that add volume and dynamism to the figure. In her left hand, she holds a sheet of paper covered with musical notation, confirming her role as a singer. The script is illegible but serves as a visual cue reinforcing the thematic focus on music.
The lighting in this painting is dramatic, utilizing chiaroscuro techniques to highlight certain areas while leaving others in shadow. Light falls primarily upon her face and upper torso, emphasizing her features and drawing attention to the sheet of music. This contrast creates a sense of depth and enhances the emotional impact of the scene.
Subtly, theres an element of melancholy present. While she appears engaged in song, the expression on her face is not overtly joyful; rather, it suggests a quiet introspection or perhaps even a touch of sadness. The dark background contributes to this mood, creating a sense of isolation and contemplation. It’s possible that the work explores themes beyond simple pastoral beauty – perhaps hinting at the complexities of human emotion within a seemingly idyllic setting.