Ex Voto Philippe De Champaigne (1602-1674)

Here we observe a formal portrait depicting two figures in ecclesiastical attire seated on ornately carved chairs. The man, positioned slightly ahead, is dressed in a voluminous black cassock with red lining and a white clerical collar. His hands are raised in what appears to be a gesture of blessing or supplication, directed towards the space above his head. He gazes directly at the viewer, conveying an air of solemnity and authority.

To his right sits a woman clad in a habit characteristic of a religious order; her white wimple frames a face marked by quiet composure. She holds a rosary in her hands, her posture suggesting contemplation or prayer. A small wooden cross is visible behind her, subtly reinforcing the spiritual context of the scene.

The background is dominated by a large inscription rendered in Latin script, partially obscuring the upper portion of the composition. The text likely details a narrative of divine intervention or healing, typical of devotional imagery. The lighting is dramatic, highlighting the figures’ faces and emphasizing the texture of their garments while casting deep shadows that contribute to the overall sense of gravity.

The arrangement suggests a hierarchical relationship between the two individuals, with the man seemingly in a position of greater prominence. This could indicate his role as a confessor or spiritual advisor to the woman. The paintings composition and subject matter strongly imply it functions as an ex voto offering – a votive gift made in fulfillment of a vow or in gratitude for a divine favor received. It is likely intended to serve as both a personal testament of faith and a public display of piety, communicating a message of hope and reliance on the supernatural.