Philadelphia Museum of Art – Charles Willson Peale, American, 1741-1827 -- Portrait of Martha Cadwalader Dagworthy
c. 1772. 127 x 101.6 cm
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Here we see she wears an elaborate gown of pale blue silk, accented by a white lace chemise visible at the neckline and sleeves. A dark cloak or shawl is draped over her shoulders, its folds carefully rendered to suggest both elegance and a degree of formality. The fabric’s texture appears meticulously observed, contributing to the overall sense of refinement. A delicate pearl necklace adorns her neck, a common symbol of status and virtue in portraiture of this period. Her hair is styled in an elaborate updo, typical of fashionable women during the late 18th century.
The artist placed a still life element – a bowl containing fruit – to the right of the woman’s figure. The arrangement includes what appear to be peaches or nectarines and other unidentified fruits. This inclusion introduces a subtle layer of symbolism; fruit often represents abundance, prosperity, and domesticity. A decorative urn is partially visible beneath the bowl, its ornamentation adding another element of visual interest and reinforcing the sense of cultivated taste.
The backdrop consists of dark green drapery, which serves to isolate the figure and direct attention towards her. The limited color palette – primarily blues, whites, creams, and browns – contributes to a restrained and dignified atmosphere.
Subtly, the painting conveys an impression of quiet confidence and social standing. The woman’s posture is upright but relaxed, suggesting both authority and accessibility. Her gaze is direct yet not confrontational, implying intelligence and composure. The meticulous detail in rendering her clothing and jewelry suggests a deliberate effort to portray her as a person of means and refinement. The overall effect is one of understated elegance and dignified presence, characteristic of portraiture intended to commemorate individuals of prominence within their community.