Giles Laroche – Bridges Are To Cross
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Along the crest of the bridge stand several sculpted figures – they appear to be winged beings, possibly angels, positioned at intervals along the parapet. Their poses are varied; some seem to gesture outwards, while others hold objects or simply observe the scene. The placement of these figures imbues the structure with a symbolic weight, hinting at guardianship or perhaps a connection between earthly and celestial realms.
The sky above is rendered in an unusual manner – it’s not a naturalistic depiction but rather a field of densely packed dots, creating a textured, almost granular appearance. This technique contributes to the paintings overall sense of unreality and evokes a feeling of vastness or infinity. The color palette is subdued; earth tones dominate the bridge itself, while the sky presents a range of blues and purples that suggest twilight or an otherworldly atmosphere.
The water below reflects the stonework above, albeit with a slightly distorted quality, further blurring the line between reality and illusion. A border frames the entire image, isolating it from any external context and emphasizing its artificiality.
Subtextually, the painting seems to explore themes of transition, connection, and perhaps even faith or hope. The bridge itself can be interpreted as a metaphor for overcoming obstacles or bridging divides – both literal and figurative. The angelic figures suggest divine intervention or guidance on this journey. The unusual sky might represent an unknown future or a realm beyond human comprehension. Overall, the work evokes a sense of quiet contemplation and invites viewers to consider their own personal journeys across metaphorical bridges.