Leon Augustin Lhermitte – Repos Pendant La Moisson
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figures are arranged in a loose grouping around what appears to be a makeshift resting place – a pile of harvested grain. A woman, centrally positioned, cradles two infants, her posture suggesting weariness but also tenderness. Several men surround her; one kneels nearby, another reclines on the ground, and a third stands with his back towards us, leaning on a tool – likely a scythe or similar harvesting implement. Their clothing is simple and functional, indicative of their working-class status.
The artist’s use of color contributes significantly to the overall mood. The palette is dominated by warm earth tones – ochres, browns, and yellows – reflecting the ripened grain and the late summer sun. These hues are tempered by cooler greens in the foliage and a muted blue sky, creating a sense of tranquility. Brushstrokes appear loose and textured, imparting a feeling of immediacy and capturing the effects of light on the landscape and figures.
Subtleties within the scene suggest deeper meanings. The presence of children underscores the cyclical nature of rural life and the continuity of labor across generations. The woman’s posture, while conveying exhaustion, also embodies maternal strength and resilience. The distant village hints at a community beyond the immediate field workers, suggesting both connection and potential isolation.
The painting conveys an atmosphere of quiet dignity and understated hardship. It is not merely a depiction of physical rest but also a meditation on the rhythms of rural existence – the toil, the family bonds, and the enduring relationship between humanity and the land. The overall impression is one of peaceful acceptance within a demanding environment.