Les trois petits mats Yvon Aubin

The canvas presents a landscape dominated by a vibrant interplay of color and form. Here we observe a coastal scene, likely situated in a rural setting, with a prominent house positioned on a gentle slope leading down towards the waters edge. The architecture is simple, suggesting a modest dwelling integrated into its environment. A church steeple rises nearby, anchoring the composition and hinting at the presence of a small community.
The artist has employed a distinctive style characterized by thick impasto application and bold color choices. The sky is rendered with swirling brushstrokes in shades of purple, blue, and yellow, conveying a sense of atmospheric dynamism. These colors are echoed in the distant mountains that frame the scene, creating visual harmony while also suggesting depth.
Along the shoreline, three sailboats are depicted, their triangular sails adding verticality to the composition and reinforcing the maritime theme. The vegetation is rendered with expressive brushwork, utilizing reds, oranges, and yellows to suggest autumnal foliage or a particularly vibrant summer bloom. A winding path leads from the house towards the water, inviting the viewers eye into the scene.
The use of color isn’t naturalistic; instead, it appears emotionally charged. The heightened hues contribute to an overall feeling of optimism and tranquility, but also possess a certain intensity that prevents them from being purely idyllic. This suggests a deliberate attempt by the artist to convey not just what is seen, but how it feels to experience this place.
The composition’s structure – the house in the foreground, the church and village mid-ground, and the mountains receding into the distance – creates a sense of layered perspective. The placement of the sailboats on the right side of the canvas balances the weight of the building on the left, contributing to the overall visual equilibrium.
Subtly, there is an element of nostalgia present. The scene feels like a memory, idealized and rendered with a subjective emotional lens. It’s not merely a depiction of a place; its a representation of a feeling – a sense of belonging, peace, and connection to nature.