Bargain. A scene from serfdom. From the recent past Nikolai Vasilievich Nevrev (1830-1904)

The composition presents a domestic interior, likely within a rural estate house, dominated by a transaction unfolding between two men. A gentleman, seated and formally attired in a dark coat, appears to be presiding over the event. He leans forward slightly, his gaze fixed on a younger man who sits opposite him, gesturing animatedly with one hand while holding a pipe in the other. This second figure is dressed more casually, suggesting a different social standing.
A group of onlookers are clustered behind them, primarily women and young men wearing traditional headwear. Their expressions range from anxious anticipation to quiet resignation; they seem to be witnesses to the proceedings, their fates seemingly tied to the outcome of the negotiation. A young woman stands slightly apart from the others, her posture conveying a mixture of vulnerability and defiance. Her gaze is directed towards the negotiating men, suggesting an awareness of the power dynamics at play.
The setting itself contributes significantly to the scenes meaning. The room is modestly furnished but displays signs of wealth – evidenced by the presence of framed pictures on the walls, including what appears to be a classical mythological scene hanging prominently behind the central figures. This juxtaposition highlights the disparity between the landed gentry and those under their control. A table laden with objects – a bottle, fruit, and other items – serves as the focal point for the transaction, symbolizing the material exchange taking place.
The lighting is uneven, casting shadows that emphasize the solemnity of the occasion. The overall palette leans towards muted earth tones, reinforcing a sense of austerity and constraint. The artist has skillfully employed perspective to draw attention to the central figures while simultaneously conveying the presence of the observing group.
Subtly embedded within this depiction are implications about social hierarchy and economic exploitation. The scene suggests a moment of forced exchange, likely involving the sale or transfer of a person – a serf – from one owner to another. The expressions on the faces of those present hint at the emotional toll such transactions exacted. The painting is not merely a representation of an event; it’s a commentary on the injustices inherent in a system where human beings are treated as commodities. The inclusion of classical art within the background serves as a pointed contrast, questioning the moral standing of a society that permits such practices while claiming to uphold ideals of civilization and beauty.