Boucher, Francois – La cible d’amour-The target of love, 1758. Canvas, 268 x 167 cm INV.2715 Part 3 Louvre

The canvas presents a scene steeped in mythological allegory and playful sensuality. A verdant landscape forms the lower portion of the composition, densely populated with lush foliage and partially obscured by atmospheric perspective. Here we see several cherubic figures reclining amidst the vegetation; they are engaged in an activity that appears both mischievous and celebratory. One angel is depicted drawing back a bowstring, aiming at a central target suspended amongst swirling clouds above. Another holds a laurel wreath aloft, while others seem to be playing musical instruments – a lyre and what appears to be a small flute – contributing to the overall atmosphere of revelry.
The upper portion of the painting contrasts sharply with the grounded landscape. A cluster of cherubs floats within a dramatic cloudscape, illuminated by an unseen light source that creates a sense of ethereal beauty. The central target is rendered as a pale oval, seemingly reflecting this celestial glow. A dove, traditionally associated with love and peace, emerges from the clouds near the target, further reinforcing the thematic content.
The color palette is dominated by greens and blues, creating a cool, dreamlike quality. The artist employs a soft, diffused light that minimizes harsh shadows and emphasizes the delicate features of the figures. This contributes to an overall impression of lightness and grace.
Subtleties within the scene suggest layers of meaning beyond a simple depiction of playful cherubs. The act of aiming at a target implies a pursuit, perhaps representing the complexities and uncertainties inherent in matters of love. The laurel wreath signifies victory or honor, hinting that the object of affection might be difficult to attain. The musical instruments introduce an element of courtship and seduction, suggesting that charm and artistry play a role in winning favor.
The composition’s verticality draws the viewers eye upward, from the earthly realm of playful desire to the idealized space of divine love. This arrangement reinforces the notion that romantic pursuit is not merely a terrestrial affair but also connected to higher ideals and aspirations. The dark background serves to isolate the scene, intensifying its focus on the central theme of love’s pursuit and the delicate balance between innocence and desire.