Paul van Somer – James I of England (James VI of Scotland)
c.1618. 223×139
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Here we see an elaborate costume: a richly patterned doublet and hose, rendered in shades of red, brown, and purple. The fabric appears weighty, suggesting both opulence and a certain rigidity. A broad, starched ruff encircles the neck, adorned with a dark green sash that crosses his chest. This sash is secured with a large ornamental brooch, drawing attention to the upper torso. His hands are positioned in front of him; one rests on a sword hilt, while the other holds what appears to be a rolled document or scroll.
Behind him, partially obscuring the background, lies a crimson velvet cushion upon which sits a helmet and a crown. The placement of these objects is significant – they symbolize military power (the helmet) and sovereignty (the crown), yet their obscured position suggests a degree of restraint or perhaps an acknowledgement that these powers are not fully realized or readily accessible.
The lighting in the painting is carefully controlled, highlighting the face and upper body while leaving the lower portion in shadow. This creates a sense of depth and emphasizes the figures presence. The dark background serves to isolate him, reinforcing his status as a central, powerful individual.
Subtleties within the portrait suggest a complex interplay of power and personality. His expression is not overtly joyful or triumphant; rather, it conveys a certain solemnity, perhaps indicative of the burdens of leadership. The somewhat stiff posture and formal attire contribute to an impression of formality and control. The overall effect is one of dignified authority tempered by a hint of introspection.