Hermitage ~ Part 01 – Alegre, Etienne - Landscape with Moses, rescued from the water
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COMMENTS: 9 Ответы
Вроде Моисей по пустыне бродил.
очень бы хотелось знать в каком году создана картина.
Начало XVIII века
А я думаю 1820-е года
Посмотрмте в википедии, сложно чтоле.
А по моему это Крым:)
Простите, но в правом нижнем углу работы, автор указал дату написания...
Прошу прощения, лохонулся – это, видимо, инвентарная нумерация.
Это когда маленького Моисея спасли из воды (он был в корзине), куда Егор положила ммать.
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Here we see a group of figures clustered near the waters edge; their gestures suggest an interaction centered around a central figure being held aloft. The clothing worn by these individuals – flowing robes in shades of red and orange – indicates a narrative or ceremonial context, possibly involving rescue or divine intervention. Their positioning draws attention to this event while simultaneously integrating it into the broader landscape.
The background is characterized by a cityscape reminiscent of ancient Rome, with numerous buildings displaying classical orders – columns, pediments, and domes. The structures are rendered in varying degrees of detail, creating an impression of both grandeur and distance. A prominent building, possibly a temple or palace, stands atop a slight elevation, further emphasizing its importance within the composition. Above this architectural ensemble, distant mountains rise into a sky punctuated by billowing clouds.
The artist employed a dramatic use of light and shadow to enhance the scenes emotional impact. The foreground is shrouded in relative darkness, while the background is bathed in brighter illumination, drawing the viewer’s eye towards the classical city. This contrast reinforces the sense of depth and creates an atmosphere of mystery and reverence.
Subtly embedded within this idyllic setting are hints of a narrative – the figures actions suggest a moment of salvation or deliverance. The inclusion of classical architecture evokes associations with antiquity, civilization, and perhaps even divine order. The overall effect is one of idealized beauty combined with a suggestion of profound historical or religious significance.