Cerano – Head of St. John the Baptist
1625~1630
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has emphasized certain features: the prominent nose, the slightly parted lips hinting at an expression of quiet contemplation or resignation, and the visible ear, meticulously detailed. The lighting is dramatic; it originates from an unseen source to the left, illuminating one side of the face while plunging the other into shadow. This contrast intensifies the sense of depth and highlights the contours of the subject’s features.
The overall effect is one of solemnity and introspection. Theres a palpable feeling of vulnerability conveyed through the exposed profile and the subdued color palette. The darkness surrounding the head isolates it, creating an atmosphere of solitude and perhaps even foreboding. One might interpret this as a depiction of someone facing adversity or bearing a heavy burden.
The lack of any background details directs all attention to the individual’s face, encouraging close observation and prompting questions about his inner state. The rough application of paint contributes to a sense of immediacy and emotional intensity; it feels less like a formal portrait and more like a spontaneous study capturing a fleeting moment of psychological insight.