B171R Ludovic Malsky, Earl of Flanders, besieges Ghent in 1381

The illumination presents a scene of military engagement set against a backdrop of a fortified city. Here we observe a mounted figure, presumably a leader given his position and attire, directing operations from horseback. He is flanked by soldiers on foot and other cavalry units, all seemingly engaged in an assault upon the city walls. The composition emphasizes a hierarchical structure within the attacking force, with the central figure commanding the action.
The fortifications of the besieged city are substantial, featuring multiple towers and crenellations suggesting a well-defended position. Defenders can be seen on the ramparts, actively repelling the attack with what appear to be projectiles or dropped objects. The scale difference between the figures and the city walls highlights the overwhelming nature of the siege and the challenge faced by the defenders.
The artist employed a limited palette dominated by blues, reds, and golds, characteristic of manuscript illumination during this period. The use of gold leaf accentuates certain elements, such as the leader’s garments and banners, drawing attention to their importance within the narrative. The figures are rendered in a stylized manner, with elongated proportions and simplified facial features, typical of contemporary artistic conventions.
Beyond the immediate depiction of conflict, the scene conveys subtexts related to power, authority, and urban resistance. The presence of the mounted leader signifies his control over the military action and underscores the feudal structure of society. The city’s fortifications represent its autonomy and defiance against external forces. The inclusion of text alongside the image suggests a historical narrative or chronicle being illustrated, reinforcing the didactic purpose often found in illuminated manuscripts.
The elaborate border surrounding the central scene is noteworthy. It consists of intricate floral and foliate designs interwoven with heraldic motifs, adding an element of decorative richness and signifying the prestige associated with the subject matter. The border’s complexity contrasts with the relatively straightforward depiction of the military action, perhaps indicating a separation between the historical event and its symbolic representation within the manuscript.