perugino30 Pietro Vannucci

The portrait presents a male figure in profile, viewed from approximately three-quarters, against a dark, uniform background. The subjects head is shaved, revealing a pale complexion and prominent veins across his scalp. His features are rendered with meticulous detail; the nose is long and aquiline, the lips thin and pressed into a neutral expression, and the eyes gaze steadily forward, conveying an impression of introspection or perhaps quiet determination. A dark habit drapes over his shoulders, its folds carefully modeled to suggest volume and texture.
Inscriptions appear on either side of the figure’s head: “D. BALTASAR MONACO” is visible on the left, while STV SVCCVRRE appears on the right. The lettering suggests a dedication or identification of the subject as a monk named Baltasar. The inscriptions placement above the head lends it an almost halo-like quality, subtly elevating the figure’s status and hinting at spiritual significance.
The artist employed a restrained palette dominated by earthy tones – ochres, browns, and blacks – which contribute to the overall sense of solemnity and gravitas. Light falls primarily from the left, illuminating one side of the face and creating subtle gradations in tone that define the contours of his features. The careful rendering of skin texture, particularly around the eyes and mouth, suggests a desire for realism while maintaining an idealized representation.
The composition is stark and economical; there are no distracting elements to divert attention from the subject’s face. This focus reinforces the impression of a man of intellect and spiritual depth, inviting contemplation on his character and role within a religious order. The profile view itself can be interpreted as symbolic – representing a forward-looking perspective or perhaps a steadfast adherence to principles.