Serafín Avendaño – Rural landscape with trees and houses
1890~1899
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The composition is structured around diagonals – the road itself, the sloping terrain, and the lines created by the trees – which contribute to a sense of depth and movement. The artist has employed a loose, impressionistic brushstroke throughout, softening edges and blending colors to create an atmospheric effect. Details are suggested rather than precisely rendered; individual blades of grass or leaves are not delineated but instead coalesce into masses of color and texture.
In the middle ground, a cluster of buildings is visible, including what appears to be a church spire rising above the surrounding structures. These elements suggest a small village nestled within the landscape. The houses themselves appear modest and integrated with their surroundings, reinforcing the painting’s overall sense of rural tranquility.
The sky occupies a significant portion of the upper register, rendered in muted tones of grey and pale blue. There is an absence of dramatic cloud formations or intense light; instead, a diffused quality pervades the atmosphere, contributing to the feeling of stillness and quietude.
Subtly, the painting evokes themes of connection between humanity and nature. The road serves as a symbolic link, inviting the viewer to journey into this idyllic setting. The presence of the village suggests human habitation but without any overt display of industry or activity; it is a place of simple existence, seemingly untouched by the complexities of modern life. The overall effect is one of nostalgia for a simpler time and an appreciation for the beauty of the natural world.