Chinese artists of the Middle Ages (虞沅 - 玉堂富贵图) – Yu Yuan
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below this prominent figure, two smaller peacocks are depicted amidst a profusion of flowering plants. These birds appear to be engaged in some form of interaction; one seems to be cautiously approaching the other, their postures suggesting alertness and perhaps a subtle dynamic. The blossoms themselves – primarily white with touches of red – are rendered with considerable detail, contributing to the overall sense of abundance and natural beauty.
The artist has employed a limited palette, relying heavily on earth tones for the background and foliage, which allows the peacock’s plumage to truly stand out. This contrast enhances their symbolic significance. The use of layered brushstrokes creates depth and texture, particularly noticeable in the rendering of the rocks and vegetation that frame the birds.
Subtly, a sense of enclosure is established by the dense arrangement of feathers and foliage. While theres an impression of naturalism, the scene feels contained, almost staged. This might suggest themes of prosperity and seclusion – a private paradise shielded from the outside world. The peacock, traditionally associated with nobility, good fortune, and beauty, reinforces this interpretation. Its presence implies a realm of refined elegance and privileged existence.
The composition’s verticality further contributes to its symbolic weight, evoking notions of hierarchy and aspiration. It is not merely a depiction of birds in nature; its an evocation of ideals – beauty, status, and the harmonious integration of humanity with the natural world.