Guйpard Robert Dallet

The drawing presents a study of a cheetah in motion, rendered with evident focus on capturing its dynamic form and musculature. Five distinct poses are displayed, arranged across the composition without a unifying background; this arrangement emphasizes the animals physicality over any narrative context. The artist has chosen to work primarily in grayscale, utilizing varying degrees of shading to suggest volume and texture.
Here we see the cheetah depicted at different stages of its stride – from an initial crouch suggesting imminent movement, through full extension during a run, to a relaxed posture indicating deceleration or rest. Each pose is characterized by a fluidity that conveys a sense of speed and power. The artist’s lines are confident and decisive, particularly in delineating the animals lithe body and powerful legs. Noticeable attention has been paid to the anatomical accuracy of the cheetah; the musculature is clearly defined, contributing to the impression of raw energy.
The spotted pattern on the cheetah’s coat is suggested through a series of short, quick strokes, adding visual interest without distracting from the overall form. The artists use of hatching and cross-hatching creates tonal variation, enhancing the three-dimensionality of the animal.
Subtly, the arrangement of the poses suggests an exploration of movement itself – not merely depicting a cheetah running, but analyzing the mechanics of locomotion. This is further reinforced by the lack of environmental context; the focus remains solely on the creature’s physical form and its interaction with the space it occupies during motion. The title Guépard (cheetah in French) placed at the bottom reinforces this focused study of a specific animal, rather than an attempt to create a broader scene or narrative. Ultimately, the drawing serves as a testament to the artists skill in observing and representing natural forms with precision and dynamism.