Unknown painters – Henri de Latour d’Auvergne de Turenne (1611-1675)
Location: National Museum (Nationalmuseum), Stockholm.
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A voluminous fall of dark hair frames his face, meticulously painted to suggest both texture and volume. The hair’s darkness contrasts sharply with the lighter tones of his skin, drawing attention to his features. A carefully arranged lace collar adorns his neck, partially obscuring a richly embroidered waistcoat. The intricate detail in the lacework and embroidery speaks to status and wealth.
The mans expression is complex; it isnt overtly joyful or sorrowful but rather conveys a quiet dignity mixed with an underlying seriousness. His lips are pressed into a firm line, suggesting restraint and perhaps a certain guardedness. There’s a sense of authority emanating from his posture and gaze – a bearing that implies command and experience in matters of importance.
The circular format itself is significant. It evokes the conventions of medals or commemorative tokens, elevating the subject to a level of symbolic importance beyond a simple likeness. The inscription around the perimeter reinforces this notion, solidifying his identity within a historical context. The overall effect is one of restrained grandeur – a portrait intended not merely to record appearance but also to convey character and position.