Adolf Ulrik Wertmüller – Gustaf Mauritz Armfelt in Scythian Tourney Dress
1785. 73×58.5
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a carefully constructed image of masculine identity. The subject’s attire is striking: he wears what appears to be a stylized tunic or chiton in a warm yellow hue, paired with a dark fur mantle draped over his shoulder. This costume evokes associations with antiquity, specifically the heroic figures and warrior traditions of ancient Scythia – a nomadic people known for their equestrian skills and martial prowess. The shield held at his side reinforces this connection to military valor.
The artist has paid considerable attention to rendering the subject’s physical features. His skin tone is rendered with subtle gradations, suggesting a delicate complexion despite the implied strength of his character. The hair, styled in elaborate curls characteristic of late 18th-century fashion, frames his face and contributes to an overall impression of refinement and cultivated elegance. His gaze is direct, engaging the viewer with a mixture of confidence and perhaps a touch of melancholy.
The subtexts within this portrait are layered. Beyond the straightforward depiction of a man in costume, there’s a clear intention to convey ideals of nobility, courage, and classical virtue. The Scythian attire isnt merely decorative; it serves as a symbolic armor, suggesting an individual who embodies both physical strength and intellectual sophistication. The choice of this particular historical reference might also imply a connection to themes of exile or displacement – Scythia being a distant, somewhat romanticized land for those residing in more settled societies. The overall effect is one of carefully constructed persona, designed to project an image of heroic stature and cultivated refinement.