
Claude Oscar Monet – Water Lilies
1906. 89×94 cm
Location: Art Institute, Chicago.
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In terms of subtext, Monets Water Lilies series is deeply personal and often interpreted as a reflection of his fascination with nature, light, and color. The paintings can evoke feelings of peace, contemplation, and immersion in the natural world. On a deeper level, these works, created in the later years of Monets life as his eyesight deteriorated, are seen by some critics as an exploration of memory, impermanence, and the subjective experience of perception. The way Monet renders the water and reflections can also be seen as a meditation on the ephemeral nature of reality and beauty, where forms dissolve and re-emerge in the shimmering surface. The overwhelming use of blues and greens can contribute to a sense of calm and, for some, a connection to the profound depths of nature.