Meeting of the Mind Michele Gold

The composition presents a cluster of forms suspended against a textured background, framed by a stark black border. The central area is dominated by what appear to be stylized representations of hands, rendered in varying shades of blue and green, with subtle hints of purple. These forms are not depicted realistically; instead, they possess an abstracted quality, their contours softened and blended into one another.
The background itself is a complex interplay of gold and ochre tones, applied with visible brushstrokes that create a sense of depth and movement. The surface appears uneven, suggesting the use of impasto techniques or layering of materials to achieve this effect. A faint suggestion of horizontal striations runs across the upper portion of the background, adding another layer of visual interest.
The arrangement of the hands is not straightforward; they overlap and intertwine, creating a sense of connection and interaction. The positioning suggests a gesture – perhaps offering, receiving, or simply acknowledging one another. This ambiguity invites multiple interpretations regarding the nature of this encounter.
Subtly, the color palette contributes to the overall mood. The blues and greens evoke feelings of tranquility and introspection, while the gold background introduces an element of richness and potential value. The black border serves to isolate the central image, intensifying its focus and creating a sense of enclosure.
The painting seems to explore themes of communication, empathy, or shared experience. The abstracted nature of the hands prevents a literal reading, encouraging viewers to engage with the work on a more symbolic level. It is possible that the artist intended to depict not just physical interaction but also a meeting of minds – a moment of understanding or connection between individuals.