Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder * Amalia Wilhelmina von Konigsmarck (1663-1740)

The composition presents four female figures arranged in a tight group against a dark, undefined background. The arrangement suggests a deliberate allegorical intent rather than a straightforward portraiture exercise. Each woman is distinct in her attire and pose, contributing to the overall symbolic complexity of the work.
On the left edge, a figure draped in flowing ochre robes emerges from what appears to be dense foliage. A laurel wreath adorns her hair, hinting at associations with victory, honor, or artistic achievement. Her gaze is directed slightly downward, conveying an air of modesty and perhaps contemplation.
Adjacent to her stands a woman clad in a pale green garment, also crowned with laurel leaves. She holds a small, golden object – possibly a star or a symbolic representation of enlightenment – in her outstretched hand. Her expression is serene, and she appears to be the focal point of the group, drawing attention through her central placement and direct gaze towards the viewer.
To the right of this figure, another woman is depicted with an elaborate blue cloak swirling around her shoulders. She holds a large horn aloft, poised as if about to sound it. The gesture implies proclamation, celebration, or perhaps even warning – a call to action or attention. Her face exhibits a more assertive and dynamic quality compared to the other women.
The fourth figure, positioned on the far right, is dressed in a rich pink and white gown with delicate lace detailing. She looks directly at the viewer with an expression that seems both composed and slightly melancholic. The contrast between her attire and the more classical garb of the others suggests a possible distinction in status or role within the allegorical framework.
The artist’s use of light is significant. It illuminates the faces of the women, highlighting their individual expressions while leaving portions of their clothing and the surrounding foliage in shadow. This creates depth and draws attention to the symbolic elements associated with each figure. The color palette – dominated by greens, blues, pinks, and golds – contributes to a sense of opulence and refinement.
Subtextually, the painting seems to explore themes of virtue, fame, and perhaps the burdens of leadership or responsibility. The laurel wreaths suggest an association with classical ideals and heroic qualities. The horn’s presence implies communication and influence, while the varied expressions of the women hint at a complex interplay of emotions and roles within a larger narrative. It is likely that the work was intended to convey a message about lineage, power, or the virtues expected of those in positions of authority – a visual statement designed to reinforce social and political values.