#12217 Rafael De Penagos

The drawing presents a scene of social gathering within what appears to be a luxurious hotel setting. A group of women, elegantly dressed in contemporary attire, are depicted engaged in conversation and leisurely activities around small tables laden with refreshments. The composition is crowded, yet the figures maintain a sense of individual presence despite their proximity.
Here we see a deliberate flattening of perspective; depth is minimal, creating a stage-like effect where the focus remains on the surface presentation of fashion and social interaction. The women are rendered in a stylized manner, emphasizing elongated limbs and simplified facial features, characteristic of early 20th-century artistic trends. Their poses suggest both sophistication and a certain detachment, hinting at an underlying sense of ennui or superficiality.
The color palette is restrained, dominated by muted tones of beige, black, white, and touches of red and blue in the clothing patterns. This limited range contributes to the overall feeling of formality and elegance. The artists use of line work is expressive; quick, gestural strokes define the figures and their garments, conveying a sense of movement and energy within the static image.
The text at the top, written in Spanish, provides context as A Tea Party at the Ritz, suggesting an observation on high society customs. The inscription along the bottom edge further elaborates on this theme, employing satirical language to critique the perceived artificiality and superficiality of fashionable gatherings.
Subtly, the drawing conveys a commentary on societal norms and expectations surrounding women in that era. While showcasing contemporary fashion, it simultaneously exposes a sense of isolation and conformity within these social circles. The overall impression is one of detached observation, capturing a moment in time with both admiration for its elegance and a critical awareness of its underlying complexities.