#12301 Rafael De Penagos

The drawing presents a young woman engaged in mending a garment. She stands poised, her posture suggesting both concentration and a certain elegance. The figure is rendered with clean lines and a simplified aesthetic, characteristic of early twentieth-century illustration styles. Her bobbed hair frames a face that conveys an air of detached composure; the gaze is directed downwards towards the task at hand.
The woman wears a dark dress with delicate straps, revealing glimpses of pale skin beneath. A light-colored slip peeks out from under the hemline, adding another layer to her appearance and hinting at domesticity. She’s positioned near a wicker basket filled with sewing supplies – buttons, thread, and scraps of fabric – which are scattered on the floor nearby. A ball of red yarn lies close to her feet.
The setting is sparse; she stands before a simple wooden chair, which serves as both a support for her leg and a compositional element within the drawing. The background is a muted beige, allowing the figure and her actions to remain the focal point.
Subtly, the image explores themes of domesticity and female identity during a period of significant social change. While she performs a traditionally feminine task – mending clothing – her posture and attire suggest an independence that transcends conventional roles. The meticulous detail given to the act of repair implies a value placed on resourcefulness and self-sufficiency. Theres a quiet dignity in her solitary occupation, hinting at a woman comfortable within her own sphere while perhaps also acknowledging the constraints of societal expectations. The inscription at the bottom right corner adds another layer of complexity, potentially offering a personal dedication or commentary that further enriches the drawing’s narrative.