Rafael De Penagos – #12226
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The figures attire contributes significantly to the overall impression. They wear elaborate costumes – one in a pink suit with yellow accents and a tall black hat adorned with feathers, the other in a similar pink ensemble but with a different hat design. These details imply a masquerade or costume ball setting, as suggested by the text Baile de Máscaras at the top of the image. The masks themselves are not visible, yet their absence is implied through the theatricality of the costumes and the overall sense of playful disguise.
The color palette is limited to pinks, yellows, blacks, and a muted green background. This restricted range reinforces the stylized nature of the work and contributes to its graphic quality. The text at the bottom, Del Circulo de Bellas Artes 1932, indicates that this drawing served as an advertisement or promotional material for an event organized by “The Circle of Fine Arts” in 1932.
Beyond a straightforward depiction of a dance scene, the drawing hints at subtexts related to social interaction and performance. The close proximity and intertwined poses of the figures suggest intimacy and connection, while their elaborate costumes imply a deliberate construction of identity – a performative aspect inherent in masked events. Theres an element of theatricality that extends beyond mere entertainment; it speaks to the constructed nature of social roles and the potential for transformation within a designated space. The drawing’s aesthetic choices – the angularity, simplification, and vibrant color scheme – contribute to a sense of dynamism and excitement, effectively conveying the spirit of a lively masked ball.