Bartolomeo Passarotti – Porträt Eines Jungen Mannes Mit Statuette
1576. Oil on canvas, 75×60cm
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The man’s dress is notable for its elaborate style. A high, starched ruff encircles his neck, indicative of status and wealth during the period. He wears a dark coat over a shirt with puffed sleeves adorned with an intricate pattern – likely embroidered – in a contrasting color. The details in the fabric suggest considerable expense and meticulous craftsmanship.
In his left hand, he holds a small bronze statuette depicting a putto, or cherubic figure, engaged in a playful activity. This miniature sculpture is rendered with remarkable detail, its surface catching the light to accentuate its form. His right hand rests on an object that appears to be a scientific instrument – possibly a telescope or similar device – further suggesting intellectual pursuits and interests beyond mere display of wealth.
The presence of the statuette introduces layers of subtext. It could symbolize artistic appreciation, patronage, or even a connection to classical antiquity, which was highly valued during this era. The scientific instrument suggests an interest in knowledge, observation, and perhaps exploration – a burgeoning intellectual curiosity characteristic of the period. The direct gaze establishes a sense of engagement with the viewer; he is not merely being presented but actively acknowledging their presence.
Overall, the painting conveys a portrait of a man who is both refined and intellectually curious, displaying wealth through his clothing while simultaneously hinting at deeper interests beyond superficial appearances. The composition’s balance between ostentatious display and intellectual suggestion creates a complex and intriguing character study.