Girolamo Colleoni – Madonna of the milk among the saints Giovannino, Mary Magdalene and Erasmus bishop
1538
Location: Academy Carrara (Accademia Carrara), Bergamo.
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To her left stands a male figure clad in elaborate ecclesiastical vestments – a crimson cloak over a white undergarment and a tall mitre. He holds a staff, a traditional symbol of authority and spiritual leadership, extending it towards the central woman as if bestowing blessing or recognition. His posture is formal and dignified, contributing to the overall sense of reverence.
On the right side of the composition, another female figure, identifiable by her long hair and flowing green robes, offers a vessel – likely a chalice – to a young boy standing nearby. This boy appears to be reaching for it with an eager expression, suggesting a moment of offering or communion. A halo encircles her head, marking her as a saintly presence.
A small lamb lies at the base of the platform, positioned near the feet of the central woman. The inclusion of this animal carries symbolic weight, often representing innocence, sacrifice, and Christ himself in Christian iconography.
The background is rendered with a landscape featuring trees laden with fruit – apples or pears – and distant mountains under a cloudy sky. This backdrop provides depth to the scene while also introducing elements that may carry allegorical meaning; the abundance of fruit could symbolize fertility, sustenance, or divine providence. The placement of these natural features frames the figures and draws attention to their central importance within the narrative.
The artist’s use of light is significant. It illuminates the faces and garments of the principal figures, creating a sense of luminosity that distinguishes them from the darker background. This technique enhances the emotional impact of the scene and reinforces the spiritual significance of the individuals depicted. The overall effect is one of solemnity, piety, and idealized beauty, suggesting a devotional or celebratory context for the work.