Plains Vestige Frank Howell

The artwork presents a stylized depiction of what appears to be a ceremonial headdress or regalia associated with Plains Indigenous cultures. The central focus is on the feathered portion, rendered in warm tones of russet and ochre that dominate the composition. These feathers cascade downwards, creating a sense of movement and visual weight.
A dark, almost black, area forms the upper part of the object, suggesting a cap or base upon which the feathers are attached. This darker section is adorned with geometric patterns – a series of vertical lines intersected by horizontal bars – executed in contrasting colors that introduce a degree of complexity to the design. The precision and repetition within this pattern suggest an intentionality beyond mere decoration; it could represent symbolic elements, clan affiliations, or narrative motifs.
The background is a muted wash of similar earth tones, allowing the central object to stand out without distraction. This monochromatic backdrop contributes to a sense of stillness and reverence.
Subtly, the work evokes themes of cultural heritage and memory. The title Plains Vestige implies a remnant or trace of something lost or fading – a poignant commentary on the impact of historical events on Indigenous traditions. The stylized nature of the representation suggests not a literal depiction but rather an idealized or memorialized version of a significant cultural artifact. It is possible to interpret this as a gesture toward preservation, a visual attempt to safeguard and honor a disappearing legacy.
The artist’s signature and date (1932) are placed at the bottom, anchoring the piece within a specific historical context while simultaneously acknowledging the enduring significance of the subject matter.