David Frumerie (After) – Erik I (1470-1549), Duke of Braunscweig-Calenberg
1667.
Location: National Museum (Nationalmuseum), Stockholm.
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The subject’s clothing immediately draws attention. A voluminous black cloak, richly embroidered with gold floral motifs, envelops him. Beneath this, a white clerical collar contrasts sharply with the darkness of the cloak and the mans hair. The presence of a sword hilt visible at his side indicates military or noble status, while the collar suggests a connection to religious authority. His hands are clasped in front of him, holding what appears to be a ceremonial dagger; this gesture reinforces an impression of controlled power rather than aggression.
The man’s face is rendered with a degree of realism, though somewhat softened and idealized. He possesses a serious expression, his gaze directed slightly off-center. The lighting highlights the planes of his face, emphasizing his age – evident in the lines around his eyes and mouth.
Inscribed text appears both above and below the figure. The upper inscription provides details about his lineage and age at the time of the portrait’s creation. The lower inscription repeats some of this information, adding a place name. These inscriptions serve to solidify the subjects identity and establish his position within a specific social hierarchy.
The painting’s color palette is restrained, relying primarily on black, white, gold, and muted flesh tones. This limited range contributes to the overall sense of formality and gravity. The artist has employed a technique that suggests a degree of haste or economy in execution; details are present but not rendered with meticulous precision.
Subtly, the portrait conveys themes of power, lineage, and religious authority. It is likely intended as a record of status and legacy, designed to project an image of dignity and importance for posterity. The combination of military and clerical symbols suggests a man who occupies multiple roles within his society – a ruler with spiritual responsibilities.