Lapin de Garenne mort Jean Baptiste Siméon Chardin (1699-1779)

The composition presents a still life centered around recently hunted game. Two rabbits dominate the scene, suspended from what appears to be a hook or nail embedded in a dark wooden ledge. One rabbit is positioned higher than the other, its forelegs extended upwards and slightly angled towards the viewer, creating a sense of dynamic tension within the stillness. The second rabbit lies below, partially obscured by the upper animals form, with its head turned away from direct view.
The color palette is restrained, primarily consisting of earthy tones – browns, ochres, and muted grays – which contribute to a somber and realistic atmosphere. Light falls unevenly across the scene, highlighting certain areas while leaving others in deep shadow. This selective illumination draws attention to the texture of the rabbits’ fur and the details of their anatomy, emphasizing their physicality. The dark background serves to isolate the subject matter, intensifying its presence and creating a sense of intimacy.
The artists brushwork is loose and expressive, particularly evident in the rendering of the fur and the rough surface of the wooden ledge. This technique lends a tactile quality to the painting, suggesting the immediacy of the hunt and the raw nature of the scene. The inclusion of a simple leather strap or cord alongside the rabbits introduces an element of utilitarian functionality – a tool used for transport or preparation.
Beyond the straightforward depiction of hunted animals, the work evokes reflections on mortality and the cycle of life and death. The stillness of the rabbits contrasts with their recent vitality, prompting contemplation about the fragility of existence. The compositions simplicity and focus on everyday objects suggest an appreciation for the mundane aspects of human experience, while also hinting at a deeper engagement with themes of sustenance and survival. There is a certain austerity to the presentation; it avoids any overt sentimentality or romanticization of the hunt, instead presenting a straightforward observation of nature’s processes.