Part 2 Prado Museum – Haes, Carlos de -- Puesta de sol (Aragón)
1856, 17 cm x 30,4 cm, Papel, Papel. Carlos de Haes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A substantial tree, its foliage depicted with loose brushstrokes, occupies the central space behind the wall. The trees form is somewhat abstracted, contributing to an overall impression of naturalness rather than precise botanical representation. Beyond this, a range of hills or low mountains fades into the distance under a pale sky. The horizon line sits relatively high in the composition, compressing the depth and emphasizing the breadth of the land.
A solitary figure stands near the right edge of the wall, appearing small within the vastness of the landscape. This individual is engaged in an activity that remains ambiguous – perhaps tending to livestock or simply observing the scene. The scale relationship between the human presence and the environment underscores a theme of humanity’s place within natures grandeur.
The light source appears to be positioned behind the viewer, casting long shadows and softening the edges of forms. This creates a sense of atmospheric perspective, where distant elements appear less distinct than those in the foreground. The overall effect is one of tranquility and solitude, hinting at a connection between the land, the individual, and the fading day.
Subtly, the painting suggests themes of rural life, labor, and the passage of time. The absence of vibrant color contributes to a feeling of melancholy or quiet resignation. The composition’s simplicity reinforces this sense of understated beauty, inviting reflection on the enduring qualities of the natural world and the human experience within it.