Part 2 Prado Museum – Gomar y Gomar, Antonio -- La Fuente de San Pascual
Siglo XIX, 96 cm x 180 cm, Lienzo, Lienzo.
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Before the fountain, a mule stands tethered, its presence suggesting a connection between human activity and the natural environment. The animal’s posture is relaxed, contributing to the overall sense of tranquility. To the left of the fountain, a large, mature tree provides shade and visual weight, while rows of neatly trimmed cypresses punctuate the midground, adding verticality and structure to the composition.
The background unfolds into rolling hills and distant mountains, painted with a softer palette that conveys atmospheric perspective. A cluster of buildings is visible atop one of the hills, hinting at human settlement within this rural setting. The sky occupies a significant portion of the canvas, exhibiting a range of blues and whites that suggest a bright, sunny day.
The artist’s brushwork appears loose and impressionistic, particularly in the rendering of foliage and distant landscape features. This technique contributes to a sense of immediacy and captures the fleeting qualities of light and atmosphere. The color scheme is predominantly earthy – greens, browns, yellows – with accents of blue and white that highlight the fountain and sky.
Subtly, the painting conveys themes of sustenance and community. The fountain itself represents a vital source of water in an arid landscape, symbolizing life-giving resources. The presence of the mule suggests agricultural labor and the reliance on animals for work. The distant buildings imply a settled population dependent upon this shared resource. There is a quiet dignity to the scene; it speaks not of grand events but of the everyday rhythms of rural existence, emphasizing harmony between humanity, nature, and tradition.