Nicolas Poussin – Moses Striking Water from the Rock
1649. 122х191
Location: Hermitage, St. Petersburg (Эрмитаж).
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Around this pivotal action, a throng of individuals are arranged in varying degrees of engagement. Some appear to be actively participating in the event, their expressions conveying a mixture of awe and exertion as they strain towards the central figure or the rock. Others seem more passive, observing with a quiet reverence. A woman cradling an infant is positioned near the foreground, her posture suggesting both vulnerability and hope.
The artist has employed a palette dominated by earthy tones – browns, ochres, and muted greens – which contribute to the overall feeling of austerity and hardship. The light source appears to emanate from behind the rock, casting dramatic shadows across the figures and emphasizing their muscular forms. This chiaroscuro effect heightens the sense of drama and underscores the miraculous nature of the event.
The arrangement of bodies is dynamic; theres a palpable energy in the way they are positioned relative to one another. The overlapping figures create depth within the scene, while also contributing to the feeling of chaos and collective struggle. The inclusion of partially nude men suggests both physical labor and vulnerability, hinting at the hardships endured by this group.
Beyond the literal depiction of a miraculous event, the painting seems to explore themes of faith, obedience, and divine intervention. The central figure’s act can be interpreted as a demonstration of power, but also as an expression of frustration or even disobedience – a consequence for failing to fully trust in the divine plan. The presence of women and children underscores the importance of community and the enduring hope for sustenance amidst adversity. The landscape itself, with its imposing rock formation, serves as a visual metaphor for the challenges faced by this group, while also suggesting an underlying strength and resilience.