#52076 Italy

The composition presents a fractured and fragmented view, devoid of recognizable representational forms. Here we observe a dense arrangement of geometric shapes – triangles, rectangles, curves – interlocking and overlapping across the canvas. The artist employed a palette dominated by warm tones: ochre, orange, and yellow are prominent, punctuated by cooler blues and purples, creating visual tension.
Brushstrokes appear deliberate yet energetic, contributing to a sense of dynamism and instability. Thick impasto is visible in certain areas, adding textural complexity and emphasizing the physicality of the paint application. The absence of traditional perspective or depth cues flattens the pictorial space, further enhancing the abstract nature of the work.
The arrangement of forms suggests a deconstruction of reality, as if the artist sought to dismantle conventional notions of spatial organization. A central cluster of shapes – a swirling vortex composed of black and white elements – draws immediate attention, acting as a focal point within the chaotic field. This element seems to both contain and be contained by the surrounding geometry.
Subtly embedded within this visual complexity are hints of recognizable motifs – a suggestion of an eye in the central cluster, or fragments that might evoke architectural structures. However, these elements are deliberately obscured and distorted, preventing any straightforward interpretation. The overall effect is one of controlled chaos, suggesting themes of fragmentation, disruption, and perhaps, the inherent instability of perception itself. It’s possible to read this as a visual exploration of how experience can be broken down into constituent parts, or as an attempt to represent a subjective reality that defies easy categorization.