Self-portrait Gregorio Lazzarini (1657-1730)

The portrait presents a male figure in profile, framed within an oval format and encased by an ornate gilded border. The subject is depicted from the chest upwards, his gaze directed towards the left of the frame. His dark hair cascades around his shoulders and neck, suggesting a certain degree of informality or artistic freedom. A loosely knotted white fabric – likely linen – is draped across his collarbone and chest, providing a textural contrast to the darker tones of his attire and hair.
The artist employed a muted palette dominated by browns, grays, and subtle flesh tones. Light falls predominantly from the upper left, illuminating one side of the face and creating shadows that define the contours of the nose and chin. This chiaroscuro effect contributes to a sense of depth and volume. The rendering of skin appears smooth, though not entirely flawless; faint indications of texture suggest an attempt at realism rather than idealized beauty.
The subject’s expression is complex. While his lips are closed, theres a slight upward curve hinting at introspection or perhaps a restrained amusement. His eyes possess a certain intensity, conveying a sense of intelligence and self-awareness. The profile view itself carries connotations of dignity and seriousness, often associated with classical portraiture.
The choice to depict the subject in profile is significant. It moves beyond a straightforward representation of appearance and implies an exploration of character and inner life. This compositional decision also aligns with artistic traditions that valued the intellectual and psychological depth conveyed through such perspectives. The overall effect is one of quiet contemplation, suggesting a man engaged in internal reflection rather than outward display. The simplicity of the background further directs attention to the subjects face and expression, reinforcing the introspective nature of the portrait.