Johan Starbus – Ulrika Eleonora the younger
210×135
Location: National Museum (Nationalmuseum), Stockholm.
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The woman’s attire is elaborate and indicative of high social standing. She wears a gown of pale grey silk, accented by panels of vibrant blue fabric that drape across the bodice and skirt. The neckline reveals a glimpse of skin, softened by a delicate lace trim. A decorative shawl or mantle, also in blue, is casually arranged over her shoulders, adding to the sense of luxuriousness. Her hair is styled in an elaborate updo, adorned with curls and possibly some form of headwear that is partially obscured by the lighting.
On the table beside her rests a silver ceremonial object – likely a chalice or similar vessel – which catches the light and draws attention to its intricate detailing. This item serves as a symbolic element, potentially alluding to religious or political authority. The patterned carpet beneath the table introduces another layer of visual complexity and reinforces the sense of opulence.
The lighting in this painting is carefully controlled; it illuminates the womans face and upper body while leaving much of the background in shadow. This technique focuses attention on her features and emphasizes her presence within the composition. Her expression, though seemingly neutral, conveys a certain dignity and self-assurance.
Subtly, the arrangement of elements suggests themes of power and status. The heavy drapery evokes grandeur and formality, while the silver object hints at ceremonial roles or responsibilities. The woman’s posture and gaze project an image of controlled authority, suggesting a person accustomed to holding a position of influence. The overall effect is one of restrained elegance and deliberate presentation, designed to convey a sense of importance and social standing.