Alexander Kokorinov Dmitry Levitsky (Levitzky) (1735-1822)

The portrait presents a man in a pose suggesting both authority and relaxed contemplation. He is positioned slightly off-center, his gaze directed towards the viewer with a measured expression that conveys intelligence and perhaps a touch of self-assurance. The composition adheres to the conventions of formal portraiture, yet theres an informality introduced by his posture – one hand rests casually on a table laden with books and papers, while the other is positioned behind him, leaning against what appears to be a chair or cabinet.
The man’s attire immediately signals status. He wears a richly detailed coat lined with fur, layered over a delicate lace shirt and waistcoat. The fabrics appear luxurious, suggesting wealth and access to fine materials. His powdered wig, meticulously styled, is another marker of his social standing within the periods aesthetic norms.
The background is deliberately subdued, consisting primarily of dark tones that serve to highlight the figure’s presence. A large piece of furniture, likely a bookcase or cabinet, occupies the rear space, its shelves filled with documents and objects hinting at intellectual pursuits and administrative responsibilities. The arrangement of these items – the scattered papers, the visible bindings of books – implies an active mind engaged in work rather than mere display of possessions.
The lighting is carefully orchestrated to emphasize certain features: his face is brightly illuminated, drawing attention to his expression, while the folds of his clothing are rendered with a subtle play of light and shadow that enhances their texture and volume. The overall effect is one of dignified presence, suggesting a man of learning, power, and refinement.
Subtly, theres an element of vulnerability present in the relaxed posture and direct gaze. It’s not a display of overt strength or dominance but rather a quiet confidence that invites scrutiny and perhaps even a degree of intimacy with the viewer. The arrangement of objects on the table – the papers seemingly mid-task – suggests a man deeply involved in his work, hinting at responsibilities beyond mere ceremonial appearances.