Roerich N.K. – Timur Hada # 72
1945. Tempera on cardboard. 30.5 x 45.8 cm.
Location: National Gallery for foreign art, Sofia (Национална галерия за чуждестранно изкуство).
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Behind this initial plane rise a series of mountainous formations. Their peaks are sharply angled and appear almost geometric, lacking the organic irregularity typically associated with natural rock structures. The artist employed a palette of deep purples and oranges to depict these mountains, creating a striking contrast against the lighter sky above.
The sky itself occupies a significant portion of the canvas. It is rendered in muted grays and pinks, with large, amorphous cloud formations that lack distinct edges. These clouds do not appear as individual entities but rather blend into the overall atmospheric tone, contributing to a sense of stillness and quietude. The color choices evoke a feeling of twilight or dawn, imbuing the scene with an ambiguous temporal quality.
The painting’s subtexts revolve around themes of abstraction and simplification. It is evident that the artist is less concerned with representing reality faithfully than with conveying a mood or emotion through form and color. The reduction of natural elements to their essential shapes suggests a desire to move beyond mere representation towards a more conceptual understanding of landscape.
The limited palette, combined with the flattened perspective, creates an atmosphere of dreamlike detachment. It is not a scene intended to be experienced directly but rather contemplated as a symbolic construct. The stark contrast between the warm tones of the foreground and the cooler hues of the mountains and sky further enhances this sense of emotional distance, suggesting a landscape viewed through a filter of introspection or melancholy.