Roerich N.K. – Himalayas # 40 Hidden Signs
1946. Cardboard, tempera. 30.6 x 45.7 cm
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a limited palette, primarily focusing on blues and subtle yellows/golds highlighting the mountain ridges. This restricted color range reinforces the impression of a cold, austere environment. The application of paint appears deliberate, with broad strokes suggesting mass and volume rather than meticulous detail. Light is not depicted realistically; instead, it serves to emphasize the contours of the mountains, creating a sense of their sheer scale.
The arrangement of the peaks suggests a hierarchical structure, with one central peak rising above the others, drawing the eye upward. This focal point could be interpreted as symbolizing aspiration or transcendence. The absence of any human presence further emphasizes the overwhelming power and indifference of nature.
Subtly, theres an underlying sense of spiritual yearning embedded within the work. The vastness of the landscape, coupled with the limited color scheme and simplified forms, evokes a feeling of contemplation and introspection. The mist-shrouded base hints at hidden depths or mysteries beyond immediate comprehension. It’s possible to read this as a visual meditation on the sublime – the experience of awe mixed with fear in the face of natures immensity. The signature located in the lower right corner, though small, anchors the work within a human context, reminding the viewer that this monumental scene is filtered through an individual artistic perspective.