Part 2 National Gallery UK – Edouard Vuillard - The Terrace at Vasouy, the Garden
1901
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Several groupings of individuals populate the space. To the left, a woman in a light-colored dress stands near a tree, her posture suggesting observation or perhaps gentle interaction with those further down the path. A family – a man wearing a hat, a young child, and another figure partially obscured – are positioned closer to the viewer, engaged in an activity that remains ambiguous but appears relaxed and informal. Further along the path, other figures are discernible, their forms softened by distance and atmospheric perspective.
The color palette is dominated by muted greens, yellows, and blues, evoking a sense of tranquility and diffused light. The artist employed loose brushstrokes to render the foliage, creating an impressionistic effect that prioritizes atmosphere over precise detail. The sky, rendered in shades of grey and pale blue, contributes to the overall subdued mood.
The presence of a small wheelbarrow near the foreground figures introduces a note of childhood innocence and playfulness. It suggests a domestic setting where leisure activities are intertwined with everyday life. The garden itself seems overgrown and naturalistic, rather than formally manicured, reinforcing this sense of unstudied ease.
Subtly, there’s an element of melancholy present. The muted colors and the slightly blurred forms create a dreamlike quality, hinting at a fleeting moment in time or perhaps a nostalgic recollection. The figures appear absorbed in their own private worlds, separated from one another by distance and a sense of quiet contemplation. This creates a feeling that the scene is observed rather than actively participated in, as if the viewer is privy to a private moment.