CAQXO508 Ferdinand Hodler (1853-1918)

The portrait presents a man depicted in a three-quarter view against a plain background. The composition is tightly cropped, focusing almost entirely on his head and upper torso. He appears to be looking directly at the viewer with an intense, somewhat unsettling gaze. His expression is complex; it conveys a sense of alertness mixed with a hint of apprehension or perhaps even mild discomfort.
The man’s hair is dark and neatly styled, swept back from his forehead in a manner that emphasizes the angularity of his face. A prominent mustache dominates his facial hair, its thick, carefully groomed appearance contributing to an overall impression of meticulousness and self-awareness. The beard is similarly full, blending into the neck with subtle gradations of tone.
The artist employed a limited palette dominated by earth tones – browns, ochres, and creams – which contribute to a muted, somewhat somber atmosphere. Brushstrokes are visible, particularly in the rendering of the background and the darker areas of his clothing, suggesting an impressionistic approach rather than meticulous realism. The lighting is uneven; it highlights certain planes of the face while leaving others in shadow, further enhancing the sense of depth and complexity.
The plain backdrop serves to isolate the figure, directing all attention towards him. A vertical band of a slightly darker hue appears on the right side, providing a subtle contrast that helps define the space around the subject. The clothing – a dark suit with a visible collar and tie – suggests a man of some status or profession, though the lack of specific details prevents any definitive identification.
Subtly, there is an element of self-scrutiny embedded within the work. The direct gaze, combined with the slightly awkward posture, hints at an awareness of being observed, perhaps even a questioning of one’s own identity or role. The overall effect is not celebratory but rather introspective, inviting contemplation on themes of perception, representation, and the complexities of selfhood.