Self portrait Ferdinand Hodler (1853-1918)

The painting presents a frontal depiction of a man against a muted, neutral background. He is positioned centrally within the frame, commanding immediate attention. The subjects gaze is direct and unwavering, establishing a palpable connection with the viewer.
Here we see a figure characterized by a dense, dark beard and mustache that dominates much of the lower portion of his face. The hair, similarly dark and somewhat disheveled, recedes from the forehead, revealing a broad expanse of skin. This receding hairline contributes to an impression of age or perhaps a deliberate stylistic choice emphasizing intellectualism over conventional attractiveness.
The artist employed a palette largely composed of earth tones – browns, creams, and grays – which lends the portrait a somber, introspective quality. The application of paint appears somewhat rough and textured, particularly in rendering the hair and beard, suggesting an expressive rather than purely representational approach. Noticeable brushstrokes contribute to a sense of immediacy and raw emotion.
The man is dressed in what seems to be a simple suit jacket over a collared shirt. The clothing is rendered with less detail than the face and hair, serving to further emphasize the subjects countenance as the focal point.
Subtly, there’s an air of melancholy or perhaps quiet intensity conveyed through the man’s expression. His eyes, though direct, seem distant, hinting at a complex inner life. The overall effect is one of profound self-reflection and psychological depth. It suggests a figure grappling with internal struggles or burdened by significant experiences. The lack of overt sentimentality in the portrayal reinforces this sense of quiet introspection.

The date 1900 appears discreetly inscribed in the lower right corner, providing a temporal anchor for the work.