Nils Esbjörnsson Reuterholm (1676-1756), married to Hedvig Sofia von Leopold Ulrika Fredrika Pasch (1735-1796)

Here we observe a formal portrait depicting a man in what appears to be military or court attire. The composition is centered on his upper torso and head, presented against a dark, neutral background within an oval frame. This framing device serves to isolate the subject and direct attention towards him.
The sitter’s expression is one of controlled composure; his gaze is directed forward with a degree of seriousness that suggests authority or dignity. The skin tones are rendered with careful attention to light and shadow, creating a sense of volume and realism. A prominent feature is the elaborate powdered wig, typical of the period, which contributes significantly to the overall impression of status and refinement.
The man’s clothing is richly detailed. He wears a red coat adorned with intricate gold embroidery and lace at the collar and cuffs. Several medals and orders are prominently displayed across his chest, suspended from a ribbon. These insignia likely signify military honors or membership in prestigious organizations, serving as visual markers of his social standing and accomplishments. The meticulous rendering of these details underscores the artist’s skill and the sitters desire to project an image of importance.
The color palette is dominated by reds, golds, and creams, creating a sense of warmth and opulence. The dark background enhances the vibrancy of the colors and further emphasizes the subject’s presence.
Subtly, the painting conveys themes of power, status, and societal rank. The formal pose, elaborate attire, and displayed honors all contribute to an image designed to project authority and respectability. It is likely intended as a record of his position within the social hierarchy and a testament to his achievements. The artist’s focus on detail suggests a desire not only to capture likeness but also to immortalize the sitters place in history.