Samuel of Ugglas (1750-1812), Count, Governor, Chief of Presidents, Chamber of Commerce, President of the Kingdom, One of the Gentlemen Ulrika Fredrika Pasch (1735-1796)

The portrait presents a man in formal attire, positioned centrally within the composition. He is depicted from the chest upwards, his gaze directed towards the viewer with a measured expression that suggests both authority and composure. The background is dark, almost monochromatic, which serves to isolate the figure and emphasize his presence. A draped curtain on the left provides a subtle vertical element, while a table covered with what appears to be a fur mantle and an ornate book rests at his side.
The man’s clothing is of considerable significance. He wears a rich red coat, its texture rendered with meticulous detail, suggesting luxurious fabric. White lace adorns his throat and cuffs, indicative of refined taste and social standing. A series of medals and orders are prominently displayed across his chest, signifying high honors and official positions held. The elaborate sash tied at his waist further reinforces the impression of a man of importance.
The artist’s handling of light is noteworthy. It illuminates the face and upper body, highlighting the texture of the skin and the sheen of the fabrics. Shadows are used to define form and create depth, contributing to a sense of three-dimensionality. The overall effect is one of controlled elegance and deliberate presentation.
Beyond the surface depiction, the painting conveys subtexts related to power and status. The man’s posture – upright and self-assured – and his direct gaze project an image of confidence and control. The accumulation of symbols associated with rank and office – the medals, the coat, the table setting – collectively construct a narrative of authority and influence. The dark background contributes to this sense of gravitas, suggesting a man who operates within a sphere of responsibility and consequence. The inclusion of the book and fur mantle on the table might allude to learning or wealth, further enriching the portrait’s symbolic content. Ultimately, the work functions as a visual declaration of social standing and political power.