Lovisa Sofia of Geijerstam (1755-1802) Ulrika Fredrika Pasch (1735-1796)

The portrait presents a woman seated in profile, facing towards the viewer with a direct gaze. The composition is framed within an oval, a common format for portraits during this period, which lends a sense of formality and contained elegance. She is depicted against a dark, indistinct background that serves to emphasize her figure and attire.
Her hair is styled high, characteristic of late 18th-century fashion, with elaborate curls cascading around the face and secured by a delicate ribbon headband. The hairstyle itself suggests status and access to skilled artisans. Her skin tone appears pale, indicative of an upper-class lifestyle shielded from manual labor and sun exposure.
The woman’s dress is rendered in soft lilac silk, its texture meticulously captured through subtle variations in light and shadow. A white lace jabot adorns the neckline, adding a touch of refinement and luxury. The sleeves are full and gathered at the wrist, further emphasizing the opulence of her clothing. She holds a small, intricately decorated object – likely a snuffbox – in her hands, its presence suggesting leisure and refined tastes.
The artist has paid particular attention to rendering the woman’s expression. A gentle smile plays on her lips, conveying an impression of amiable composure and intelligence. Her eyes are bright and alert, engaging the viewer directly. This directness suggests a confident personality and a willingness to present herself as approachable.
Subtly, the portrait conveys messages about social standing and personal character. The meticulous detail in rendering the fabrics and accessories speaks to wealth and privilege. The woman’s posture and expression project an image of grace and intelligence, reinforcing her position within a hierarchical society. The overall effect is one of restrained elegance and quiet authority – a carefully constructed representation intended to convey status and virtue.