Ulrika Fredrika Pasch – Dorothea Elisabeth Schultz, married Sauer
1771. 74.5×61.5
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a woman with fair skin, rendered with careful attention to subtle tonal variations suggesting age and character. Her expression is reserved, perhaps even slightly melancholic; the eyes possess a directness that avoids overt sentimentality. The artist has captured a sense of quiet dignity in her features.
The elaborate coiffure, piled high and adorned with ribbons and what appears to be lace, speaks to social standing and adherence to fashionable trends. A delicate bonnet frames her face, softening its contours while simultaneously highlighting the pale complexion. Around her neck, a string of pearls is displayed, a traditional symbol of wealth and status. The earrings are similarly understated yet elegant.
The woman’s dress is noteworthy for its complex construction. A blue gown with intricate lace detailing dominates the visual field. The sleeves appear to be detachable, revealing a contrasting red underslip at the wrist. A large bow, embellished with floral motifs, sits prominently on her chest, drawing the eye and adding another layer of ornamentation. The fabric’s texture is rendered with considerable skill, suggesting both richness and delicacy.
Subtleties in the painting suggest more than just a straightforward representation of wealth and status. The slightly downturned mouth and the gaze directed towards the viewer convey an impression of introspection or perhaps even a hint of sadness. This complexity prevents the portrait from becoming merely a superficial display of material possessions; it hints at a deeper psychological dimension. The careful rendering of age, rather than attempting to erase it, suggests a desire for authenticity and a recognition of life’s passage.
The overall effect is one of restrained elegance and quiet authority, indicative of a woman who occupies a position of social importance within her community.