Ulrika Fredrika Pasch – Fredrika Svan
72×56
Location: National Museum (Nationalmuseum), Stockholm.
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The womans elaborate hairstyle dominates the upper portion of the composition. It is constructed in tight curls and rolls, characteristic of the period’s fashion for height and ornamentation. This coiffure, while visually striking, also suggests a certain social standing – the time and resources required for such styling would have been considerable.
Her dress is rendered in shades of blue, with delicate white lace detailing at the neckline and sleeves. A large bow adorns her chest, adding another layer of visual complexity and reinforcing the impression of wealth and refinement. The fabric appears to be a rich material, possibly silk or satin, contributing to the overall sense of luxury.
The artist has paid particular attention to rendering the woman’s complexion. Her skin is pale, with subtle blush on her cheeks and lips, conveying an image of health and vitality within the conventions of beauty standards prevalent at the time. The lighting is soft and diffused, minimizing harsh shadows and creating a flattering effect.
Her hand rests gently on her chest, near the bow, in a gesture that could be interpreted as either modesty or subtle self-assurance. This placement also draws attention to the details of her dress and jewelry. Theres an air of composure about her expression; she is not smiling broadly, but rather possesses a quiet dignity.
Subtly, the portrait conveys messages regarding social status, wealth, and adherence to contemporary ideals of feminine beauty. The formality of the pose and attire suggests a commissioned work intended to document the sitter’s position within society. The overall effect is one of restrained elegance and understated power.